Lee Ufan (b. 1936)
ⓒ Lee Ufan 
Photo: Kukje Gallery
Image provided by Kukje Gallery

An artist and a philosopher, Lee Ufan is one of the founding members of Mono-ha, a movement largely defined by the artist's seminal texts from the late 1960s. Not only did Lee act as a vital conduit between the Korean and Japanese art scenes after his move to Japan in 1956, but was a pivotal figure who introduced Dansaekhwa to a wider international audience from these two countries. The artist's From Point and From Line series in particular, which Lee began in the early 1970s, established many profound connections to the principles of the Dansaekhwa movement. Lee's critically acclaimed body of work, which includes the aforementioned From Point and From Line series, explores themes of gesture and the connection between mark-making and the medium of paint itself. Such abiding interest is grounded in Lee's early studies in traditional calligraphy, which proved to have been a fundamental experiment in the discipline of repeatedly drawing single lines and frames the artist's fundamental investigation into the act of painting.
Lee Ufan was a professor at Tama Art University in Tokyo from 1973 through 2007; he is currently the emeritus professor at the same university. Lee’s work has been exhibited in many solo and group exhibitions in major institutions around the world including the Royal Museum of Fine Arts, Brussels, Yokohama Museum of Art, Palazzo Grassi, Venice, and the Museum of Modern Art, New York. Lee was the focus of a major sculpture exhibition held at the Château de Versailles (2014), along with his retrospective Lee Ufan: Marking Infinity organized by the Solomon R. Guggenheim Museum, New York (2011). He has also been widely exhibited in group exhibitions including When Process becomes Form: Dansaekhwa and Korean Abstraction in collaboration with the Boghossian Foundation, Brussels (2016), Dansaekhwa, an official Collateral Event in the 56th Venice Biennale (2015), Working with Nature: Traditional Thought in Contemporary Art form Korea at Tate Liverpool (1992), the 12th Bienal de São Paulo (1973), the 7th Biennale de Paris (1971), the 10th Bienal de São Paulo (1969), and the 4th Biennale de Paris (1965).

작가이자 철학자인 이우환은 1960년대 후반 자신이 출간한 저서들에 기반하여 모노하 운동을 펼치기 시작했다. 1956년 일본으로 건너간 후 한국과 일본의 미술계를 잇는 가교역할을 했을 뿐 아니라, 이 두 곳에서 단색화를 전세계 미술인들에게 소개하는 구심점 역할을 수행했다. 특히 1970년대 초반에 시작된 <선으로부터>, <점으로부터> 연작 등은 단색화 운동의 본질과 긴밀히 연결되어 있다. 널리 알려진 일련의 작품들을 통해 이우환은 점을 찍는 행위와 매체 자체를 연결하는 주제를 탐구했다. 이는 작가가 어렸을 때부터 습득해온 전통 서예와도 연결되는데, 하나의 선을 지속적으로 그리는 것과 그림을 그리는 행위에 대한 근원적인 연구라고도 볼 수 있다.
이우환은 1973년부터 2007년까지 일본 타마-미술대학교에서 교수로 활동 후 현재는 명예교수로 있다. 벨기에 왕립미술관, 요코하마 미술관, 베니스 팔라조 그라시, 뉴욕 현대미술관 등 세계 주요 미술관에서 다수의 개인전과 그룹전을 가진 바 있다. 특히 2014년 베르사유 궁전에서 대규모 조각 전시 《Palace of Versailles》를, 2011년 구겐하임 미술관에서 회고전 《이우환: 무한의 제시》를 개최했으며 2016년 벨기에 보고시안 재단에서 연 《과정이 형태가 될 때: 단색화와 한국 추상미술》 특별전, 2015년 제56회 베니스 비엔날레의 병행전시로 열린 《단색화》전, 2012년 국립현대미술관 《한국의 단색화》전, 1992년 테이트 리버풀 갤러리의 《Working with Nature: Traditional Thought in Contemporary Art form Korea》전, 1973년 제12회 상파울루 비엔날레, 1971년 제7회 파리비엔날레, 1969년 제10회 상파울루 비엔날레, 1965년 제4회 파리비엔날레에 참여했다.

BIOGRAPHY

1936 Born in Korea
1956 Interrupted studies at Seoul National University and came to Japan
1961 Graduated from Nihon University, Department of Philosophy, Tokyo
1969 Awarded prize for critical writing ?From Object to Being?, Tokyo
1969 Leads the Mono-ha movement after having successfully attracted artists following until then the vision tricks trends launched around 1968, Tokyo
1973 through 2007 Professor of Tama Art University, Tokyo
1997 Invited professor at Ecole Nationale Supérieure des Beaux-Arts, Paris
2000 UNESCO Prize (in Shanghai Biennale), Paris-Shanghai
2001 13th Praemium Imperiale (Painting), Tokyo
2005 Artists Summit, Kyoto


SELECTED SOLO EXHIBITIONS
2020
Lee Ufan. Inhanbiting time, SCAI The Bathhouse, Tokyo, Japan

2019
Lee Ufan. Inhanbiting time, Centre Pompidou-Metz, Metz, France
Lee Ufan: Dialogue With Materials, Tokyo Opera City Art Gallery, Tokyo, Japan
Lee Ufan: From Point, From Line: 1976 - 1982, Galerie Kamel Mennour, Paris, France
Lee Ufan: Open Dimension, Hirshhorn Museum and Sculpture garden, Washington D.C, USA
Lee Ufan, Dia:Beacon, New York, USA (Long-term view)

2018
Serpentine Galleries, London, United Kingdom
Pace, New York, USA

2017
Centre de Création Contemporaine Olivier Debré, Tours, France
Couvent de La Tourette, Éveux, France
Ceramics, PACE Gallery, New York, USA
Lee Ufan: The Ha Jung-Woong Museum of Art’s Inaugural Exhibition, Gwangju Museum of Art, Gwangju, Korea

2016
Sculpture in the Courtyard: Lee Ufan. The Cane of Titan, State Hermitage Museum, St. Petersburg             
Lee Ufan, Château la Coste, Le Puy-Sainte-Réparade, France
Manufacture Nationale de Sèvres, France
Castello Di Ama, Siena, Italy
Lee Ufan, KamelMennour Gallery, Paris
Hermitage Museum, St. Petersburg, Russia
Château La Coste, Le Puy-Sainte-Réparade, France
Manufacture Nationale de Sèvres, France
Pace Gallery New York, USA/London, UK/Hong Kong

2015
Lisson Gallery, London
Palazzo Contarini-Polignac, Venice
Pace Gallery, New York

2014
Kaikai Kiki Gallery, Tokyo, Japan
Tatintsian Gallery, Moscow, Russia
Palace of Versailles, Versailles, France

2013
Musée de la Chasse et de la Nature, Paris, France

2012
Asia Society, Houston

2011
SCAI The Bathhouse, Tokyo
Solomon R. Guggenheim Museum, New York

2010
Galeria Elvira Gonzalez, Madrid

2009
Kukje Gallery, Seoul
Galerie Thaddaeus Ropac, Paris

2008
The Royal Museum of Fine Arts of Belgium, Brussels
Pace Wildenstein, New York
Dahlem Museum, Berlin

2007
Galerie Nächst St. Stephan, Vienna
52nd La Biennale di Venezia, palazzo Palumbo Fossati, Venice

2006
Galerie Micheline Szwajcer, Antwerp

2005
Yokohama Museum of Art, Yokohama
Musée d’Art Moderne, Saint-Etienne  

2004
Musée Fernet Branca St.Louis, Alsace

2003
Samsung Museum of Modern Art, Seoul

2002
SCAI The Bathhouse, Tokyo

2001
Kunstmuseum Bonn, Germany

1999
Liliane & Michel Durand-Dessert, Paris

1998
Städtisches Museum im Städel, Frankfurt

1997
Galerie Nationale du Jeu de Paume, Paris

1996
Lisson Gallery, London

1995
Städtisches Museum Leverkusen, Germany

1994
The National Museum of Contemporary Art, Seoul
Fondazione Mudima, Milano

1993
The Museum of Modern Art, Kamakura, Japan 
Shirota Gallery, Tokyo
Tokyo G1995, Galerie de Paris, Paris

1992
Konggan Gallery, Busan
Galerie de Paris, Paris

1991
Hara Museum ARC, Japan
Lorenzelli Arte, Milano
Gallery Ueda, Tokyo
Tokyo Gallery, Tokyo

1990
Inkong Gallery, Seoul
Gallery Hyundai, Seoul
Kamakura Gallery, Tokyo

1989
Galerie m, Bochum, Germany
Gallery Ueda, Tokyo
Tokyo Gallery, Tokyo
Shirota Gallery, Tokyo
Galerie de Paris, Paris

1988
The Museum of Fine Arts, Gifu, Japan
Galerie Anselm Dreher, Berlin
Padiglione  D’Arte Contemporanea, Milano

1987
Gallery Hyundai, Seoul

1986
Galerie de Paris, Paris
Gallery Ueda, Tokyo
Shirota Gallery, Tokyo
Tokyo Gallery, Tokyo

1984
Galerie de Paris, Paris
Shirota Gallery, Tokyo
Gallery Hyundai, Seoul

1983
Tokyo Gallery, Tokyo
Gallery Ueda, Tokyo

1982
Studio Marconi, Milano

1981
Shirota Gallery, Tokyo

1980
Galerie Eric Fabre, Paris
Gallery Ueda, Tokyo
Tokyo Gallery, Tokyo

1979
Marl Sculpture Museum, Germany
Gallery Takagi, Nagoya
Gallery Muramatsu, Tokyo

1978
Gallery Hyundai, Seoul
Louisiana Museum of Modern Art, Denmark 
Düsseldorf Kunsthalle, Düsseldorf 
Galerie m, Bochum, Germany
The Antwerp Gallery, Antwerp
Shirota Gallery, Tokyo

1977
Galerie Eric Fabre, Paris
Tokyo Gallery, Tokyo

1976
Galerie m, Bochum, Germany
Gallery Spectrum, Antwerp

1975
Galerie Eric Fabre, Paris

1974
Tamura Gallery, Tokyo

1973
Tokyo Gallery, Tokyo

1972
Myong-Dong Gallery, Seoul

1971
Pinar Gallery, Tokyo

1970
Tamura Gallery, Tokyo

1967
Sato Gallery, Tokyo


SELECTED GROUP EXHIBITONS
2020
Art Plant Asia 2020: Hare Way Object, Deoksugung Palace, Seoul
Hyundai 50, Gallery Hyundai, Seoul, Korea
The Modern and Contemporary Korean Writing, National Museum of Modern and Contemporary Art, Deoksugung, Seoul, Korea
Stars: Six Contemporary Artists from Japan to the World, Mori Art Museum, Tokyo, Japan
The Eastern Gesture: Five Voices from the Korean Avant-Garde, Dep Art, Milan, Italy

2019
Landlord Colors: On Art, Economy, and Materiality, Cranbrook Art Museum, Michigan, USA
Light Profoundness: The Worldlet of East Asian Artists,  HIVE Center for Contemporary Art, Beijing, China
2019 Asian Art Biennial: The Strangers From Beyond The Mountain And The Sea, National Taiwan Museum of Fine Arts, Taichung, Taiwan
Silent Beauty, Ateneum Art Museum , Helsinki, Finland
Upcoming The Nature Rules: Dreaming of Earth Project, Hara Museum of Contemporary Art, Tokyo, Japan
Yves Klein, Lee Ufan, Ding Yi: The Challenging Souls, Power Station of Art, Shanghai, China
Minimalism: Space. Light. Object., ArtScience Museum – National Gallery Singapore, Singapore

2018
Powerlong Museum, Shanghai, China
Art and Space, Guggenheim Bilbao, Bilbao, Spain
The Myriad Forms of Visual Art: 196 Works with 19 Themes, National Museum of Art, Osaka, Japan

2017
Arts of Korea, Brooklyn Museum, New York, USA     
Unpacked: Contemporary Works from Private Collections of Northern
California, Museums of Sonoma County, Santa Rosa, USA
Everything at Once, Lisson Gallery, London, UK
Japanorama. Nouveau regard sur la création contemporaine, Centre Pompisou-Metz, France
Couvent de la Tourette, Associated exhibition of 14th Biennale de Lyon, Lyon
Korean Dansaekhwa, Erarta Museum of Contemporary Art, St.Peterburg
Rhythm in Monochrome: Korean Abstract Painting, Tokyo Opera City Art Gallery, Tokyo
Looking into Korean Art II: Dansaekhwa, Museum San, Wonju

2016
Dansaekhwa, PIASA, Paris, France
After Drawing, Gallery Hyundai, Seoul
When Process Becomes Form: Dansaekhwa and Korean Abstraction, Boghossian Foundation, Brussels, Belgium
Dansaekhwa& Minimalism, Blum & Poe, Los Angeles/ New York, USA
Reminiscing on Past Times…, Youngeun Museum of Contemporary Art, Gwangju, Korea
The Earth, Fire and Spirit, Grand Palais, Paris, France

2015
Dansaekhwa as part of the Collateral Events of the 56th Venice Biennale, Palazzo Contarini-Polignac, Venice, Italy
Avant Garde Asia: Lines of Korean Masters, Sotheby’s, Hong Kong
Enrico Castellani and Lee Ufan: Surgaces et Correspondences, Lorenzelli Arte, Milan, Italy
Korean Abstract Painting: 45th Anniversary of Gallery Hyundai, Gallery Hyundai, Seoul, Korea
Serial Structures, Serial Procedures, Kunstsammlungen der Ruhr-Universität Bochum, Germany

2014
The Art of Dansaekhwa, Kukje Gallery, Seoul, Korea
From All Sides: Tansaekhwa on Abstraction, Blum & Poe, Los Angeles, USA
Formes Simples, Centre Pompidou-Metz, France
Genius Loci (Spirit of Place), Palazzo Franchetti, Venice, Italy
Korean Beauty: Two Kinds of Nature, Seoul Museum of the National Museum of Modern and Contemporary Art, Seoul, Korea
Other Primary Structures: Others 2, Jewish Museum, New York, USA

2013
Tension précaire, Capelle Saint-Laurent-Le Capitole, Arles, France
Paradise, Pace Gallery, New York, USA
Takashi Collection: Mindfulness!, Kirishima Open-Air Museum, Kagoshima, Japan
Prima Materia, Punta della Dogana, Venice, Italy
Tokyo 1955–1970: A New Avant-Garde, Museum of Modern Art, New York, USA
Mingei: Are You Here?, Pace London, London, UK

2012
Requiem for the Sun: The Art of Mono-ha, Blum & Poe, Los Angeles, USA
Requiem for the Sun: The Art of Mono-ha, Gladstone Gallery, New York, USA
Tokyo 1955–1970: A New Avant-Garde, Museum of Modern Art, New York, USA

2011
54th Venice Biennale, “The World Belongs to You”, Palazzo Grassi
54th Venice Biennale, “PERSONAL STRUCTURES”, Palazzo Bembo

2010
Essential Experience, RISO Galleria Regionale della Sicilia, Sicilia

2009
Qui a peur des artistes? François Pinault Collection, Palais des Arts, Dinard, France
Infinitum, Palazzo Fortuny, Venice

2008
The Thin Shadow Line, Fondazione Mudima, Milano
SOTTO VOCE, Yvon Lambert, New York
Sensitive Systems, Hakgojae Gallery, Seoul
1st Poznan Biennale, Poland

2007
Elastic Taboos, Kunsthalle, Wien, Austria
Living in the Material World: Things in Art of the 20th Century and Beyond, The National Art Center, Tokyo, Japan
L’art de Monet etsaPostérité, The National Art Center, Tokyo, Japan
Micro-Narrative, Beograd, Serbia

2006
Shelter, National Galeriel, Berlin
La force de l’art, Grand Palais, Paris
Kwangjoo Biennale, Korea

2005
Reconsidering Mono-ha, The National Museum of Art, Osaka

2004
L’art au future antérieur 1975-2004, Musée de Grenoble, Grenoble
Limpa – Ecole de Limpa, The National Museum of Modern Art, Tokyo, Japan

2003
Happiness, Mori Art Museum, Tokyo

2002
The Pacific Triennale, Queensland Art Gallery, Brisbane, Australia
Les années 70 l’art en cause, CAPC Musée d’Art Contemporain, Bordeaux

2001
Mono-ha, Museum of Kettle’s Yard, Cambridge, England
Le Tribú dell Arte, Galleria d’Arte Moderna e contemporanea, Roma 
Century City, Tate Modern, London

2000
Gwangju Biennale, Gwangju, Korea
Shanghai Biennale (awarded prize UNESCO), Shanghai China
Bernard Frize, Katharina Grosse and Lee Ufan, Galerie Monika Reitz, Frankfurt, Germany

1999Ku
nstwelten im Dialog, Museum Ludwig, Köln

1998
SARAJEBO 2000, Museum Moderna Kunst Stiftung Ludwig, Wien, Austria
Contemporary Art of Korea-Time, Ho-am Art Gallery, Seoul, Korea
Korean Monochromism, Busan Metropolitan Art Museum, Busan, Korea

1997
Made in France, Musée National d’Art Moderne, Centre Georges Pompidou, Paris

1996
Japon 1970 Mono-ha, Musée d’art Moderne, Saint-Etienne, France
Projet 8, Total Contemporary Art Museum, Seoul, Korea
Small Truths, John Hansard Gallery, Southampton, UK

1995
Mono- ha, The Museum of Fine Art Gifu, Gifu, Japan
ASIANA-Monoha, Palazzo Vendramin, Venice, Italy
Joongang Biennale, Ho-am Art Gallery, Seoul, Korea

1994
Scream Against the Sky, Guggenheims Soho Museum, New York, USA
Postwar Art in Japan, Yokohama Museum of Art, Yokohama, Japan

1993
Spiritual in Art, Fukuyama Museum of Art, Fukuyama, Japan

1992
Contemporary Art from Korea, Tate Gallery, Liverpool, UK
Seven Artists of Japan, Nagoya City Art Museum, Nagoya, Japan
Avand Guardie Giapponesi Degli Anni 70, Galleria D’ArteModernaComune di Bologna, Bologna, Italy

1991-1992
Aspects of Contemporary Japanese Art, Santa Monica Museum of Art, California/ Portland Art Museum, Portland/ Oregon Art Institute, Oregon/ Museo Rufino Tamayo, Mexico/ Contemporary Art Center, New Orleans

1991
Working with Nature, Tate Gallery, Liverpool ,England

1990
Blau, Heidelberger Kunst museum, Heidelberg, Germany
Minimal Art, National Museum of Art, Osaka, Japan

1989
Croisement des Signes, Institut du Monde Arabe, Paris, France
Biennale Middelheim Japan, Middelheim Open-Air Museum, Antwerp, Belgium
Japan 1989, Museum van HedendaagseKunst, Gent, Belgium
Effets de Mirror, Bibliothèque Louis-Aragon, Choisy, France

1988
Monoha, Museo Labatorio di Arte Contemporanea, Rome, Italy
Symposium of Olympic Sculpture, Seoul, Korea

1987
Mono-ha and Post Mono-ha, Seibu Museum of Art, Tokyo, Japan
Painting 1977-87, National Museum of Art, Osaka, Japan
Le Japon des Avant-Gardes, Centre Georges Pompidou, Paris

1986
Seoul-Paris, Centre National des Arts Plastiques, Paris, France
Mono-ha, Kamakura Gallery, Tokyo, Japan
Contemporary Japanese Calligraphy and Painting, Galerie Nationale de Prague, Czechoslovakia
Le Japon des Avant-Gardes, Centre Georges Pompidou, Paris, France

1985
40 Years of Japanese Contemporary Art, Tokyo Metropolitan Art Museum, Tokyo 
Le Japon des Avant-Gardes, Centre Georges Pompidou, Paris     

1983
ARS 83 Helsinki, Finland 
M. Kawabata, Lee Ufan and Y.Saito Exhibition, Juda Rowan Gallery, London, UK

1982
Meister der Zeichnung, Kunsthalle Nürnberg, Germany
Material Gets Art, Berlin National Galerie, Berlin
Japanese Contemporary Art Exhibition, Camden Arts Center, London, UK

1980
Skulptur im 20 Jahrhundert, Basel, Switzerland
Contemporary Art in Japan, Museum of Modern Art, Stockholm, Sweden

1979
11th International Prints Biennale in Tokyo (Awarded prize of National Museum of Modern Art), Kyoto, Japan
1st Henry Moore Grand Prize Exhibition, Hakone Open-Air Museum (Awarded Superlative Prize), Kanagawa, Japan

1978
Z. B. Sculpture, Städtisches Museum im STÄDEL, Frankfurt, Germany
Focus 78, Centre Culturel du Marais, Paris, France

1977
13th Contemporary Art Exhibition of Japan, Awarded prize of The National
Museum of Modern Art, Tokyo, Japan
Kassel Documenta 6, Germany
Drawing 5 Artists, Minami Gallery, Tokyo, Japan
100 Prints Acquisitions 1973-1976, Museum of Modern Art, New York, USA

1976  
2nd Sydney Biennale, Australia
Ecole de Seoul, Seoul, Korea
Cagnes-Sur-Mer, International Painting Fair, France

1975  
3rd Triennale India, National Academy of Art, Newdely
Contemporary Art of Japan, Museum of Letevorg, Stockholm, Sweden
Contemporary Art of Japan, Sonja Henle-Niels Onstad Museum, Oslo, Norway

1974
Japan Traditional Gegenwart, Kunsthalle Düsseldorf, Germany
Japanese Art in Louisiana, Louisiana Museum of Modern Art, Denmark

1973
São Paulo Biennale, São Paulo
11th Contemporary Art Exhibition : A Retrospective 20 Years of Contemporary Japanese Art, Tokyo and Kyoto, Japan

1972
2nd Seoul Prints Biennale, Seoul, Korea
Napoli International Exhibition, Napoli, Italy
7th, 8th International Prints Biennale, Tokyo, Japan

1971
7th Paris Biennale, Paris, France

1970
7th, 8th International Prints Biennale, Tokyo, Japan
Mono- ha, Museum of Fine Art Gifu, Japan
Aspects of New Japanese Art, National Museum of Modern Art, Tokyo, Japan

1969 
Trends in Contemporary Art, National Museum of Modern Art, Kyoto, Japan
5th International Young Artists Exhibition (Awarded Prize of Japan Cultural Forum), Tokyo, Japan
9th Contemporary Art Exhibition of Japan, Tokyo Metropolitan Art Museum, Tokyo, Japan

1968
Contemporary Art of Korea, National Museum of Modern Art, Tokyo, Japan

PUBLIC COLLECTIONS
Berlin National Galerie, Berlin, Germany
The Brooklyn Museum, New York, USA
Centre Georges Pompidou, Musée National d’ArtModerne, Paris, France
Museum of Fine Arts, Gifu, Japan
Leeum Samsung Museum of Art, Seoul, Korea
Kröller-Müller Rijksmuseum, Otterloo, Holland
Le Musée de Sculpture enPlein Air, Paris, France
Museum of Modern Art, New York, USA
São Paulo Art Library, São Paulo, Brazil
Sonja Henle-NielsOnstad Museum, Oslo, Norway
StaatsKunstsammlungen Dresden, Dresden, Germany
Kunsthalle Nurnberg, Germany
Stuttgart StaatsGalerie, Stuttgart, Germany
National Museum of Contemporary Art, Seoul, Korea
Hakone Open-Air Museum, Kanagawa, Japan
Hara Museum of Contemporary Art, Tokyo, Japan
Hiroshima City Museum of Contemporary Art, Hiroshima, Japan
Iwaki City Art Museum, Iwaki, Japan
Ohara Museum of Art, Kurashiki, Japan
Setagaya Art Museum, Tokyo, Japan
Sezon Museum of Modern Art, Nagano, Japan
Museum of Modern Art, Kamakura & Hayama, Japan
National Museum of Modern Art, Kyoto, Japan
National Museum of Modern Art, Tokyo, Japan
National Museum of Art, Osaka, Japan
GalerieNationale de Prague, Czech Republic
Museum of Contemporary Art Tokyo, Japan
Art Gallery of New South Wales, Sydney, Australia
Hokkaido Museum of Modern Art, Sapporo, Japan
Kunstsammlungen der Ruhr-Universität Bochum, Germany
Städtisches Museum Leverkusen, Germany
Toyota Municipal Museum of Art, Japan
Tate Modern, London, England
FNAC, Paris, France
Städtisches Museum Städel Frankfurt, Germany
FondazioneMudima, Milano, Italy
Queensland Art Gallery, Brisbane, Australia
Seoul Municipal Museum of Art, Korea
Kunstmuseum Bonn, Germany
Kunsthaus Zürich, Switzerland
Situation Kunst, Bochum, Germany
Fukuoka Art Museum, Japan
Contemporary Art Museum, Kumamoto, Japan
Asia Society Texas Center, Houston, USA
Rachofsky Collection, Dallas, USA
Eclipse Collection, Brussels, Belgium

BOOKS
The Search for Encounter, Tabata Shoten, Tokyo, 1971
( New edition : Bijutsu Shuppansha, Tokyo, 2000)
The Printworks of Lee Ufan 1970-1986, Shirota Gallry, Tokyo, 1986
The Works of "Lee Ufan", Bijutsu Shuppansha, Tokyo, 1986
Time Flicker, Ozawa Shoten, Tokyo, 1988
The Work of "Lee ufan", Toshi Shuppan, Tokyo, 1993
The Works "Lee Ufan", Fondazione Mudima, Milano, 1994
Selected Writings by Lee Ufan, Lisson Gallery, London, 1996
The Art of YOHAKU, Misuzu Shobo, Tokyo, 2000
Stopped on the way, Syoshi Yamada, Tokyo, 2001
Un art de la rencontre, Actes Sud, Arles, France, 2002
The Art of Encounter, Lisson Gallery, London, 2004
The Works of "LEE UFAN" Fondazione Mudima, Milano, 2007
The Art of Encounter, revised version, Lisson Gallery, London, 2008


Selected Bibliography
"Giappone", D’Ars, Italy, No.55, 1970, p.65.
Love, Joseph, " Exhibition in Tokyo – Lee Ufan", Art International, Switzerland, Vol.
XIV, June 1970, pp.108-109.
Love, Joseph, "Tokyo Letter", Art International. Switzerland, Vol. XV, May 1971,
pp.79-82.
"Lee Ufan ", Revue De La Pensée D’aujourd’hui, France, June 1974, pp.54-59.
"Lee Ufan", Revy, Louisiana Museum of Modern Art, Denmark,1974.
Love, Joseph, "Exhibition in Tokyo", Art Spectrum, Switzerland, Jan.1975, p.45.
"Kunstbrief aus Tokyo", Das Kunstwerk, Germany, Aug.1977, p.44.
Friedrich, Yvone, "Lee Ufan", Das Kunstwerk, Germany, Aug.1977, p.81.
Friedrich, Yvone , "Lee Ufan", Das Kunstwerk. Germany, Oct.1978, pp.77-81.
"Lee Ufan", Canal, France, No.2, 1978.
Harris, T.J.G., "Lee Ufan", Art International, Switzerland, Vol. XXII, May 1978,
pp.16-37.
Michà, René, "Lettre de Paris", Art International, Switzerland, Vol. XXIII, Summer
1979, p.52.
Minemura Toshiaki, "Mono-ha", Domus, Italy, No.596, 1979, p.45.
Bouissiet, Maïten, "Lee Ufan", Opus, France, No.78, 1980, pp.45-46.
Dupuis, Sylvie, "Lee Ufan", Art Press, France, May 1980, p.36.
Schaarschmidt-Richter, Irmtraud, "Kunstbrief aus Tokyo", Das Kunstwerk, Germany,
Jan.1981, p.55.
Parmigiana, Loredana, "Lee Ufan", Flash Art, Italy, Summer 1982.
Okabe, Aomi and Chiba, Shigeo, "Dossier Mono-Ha", Artistes, France, No. 16, 1983, pp.6-17.
Nurdsany, Michel, "Lee Ufan", Art Press, France, May 1984, p.62.
Chiba, Shigeo, "Modern Art from a Japanese Viewpoint", Artforum, U.S.A., Oct.1984,
pp.55-61.
Park Seobo, "Meeting Lee U-Fan", The Gallery, Seoul, Korea : Gallery Hyundai,
No.45, 1984, pp.32-40.
Chiba, Shigeo, "Japanishe Kunst heute", Noema, Germany, No.5, 1986, pp.8-11.
Silva, Arturo, "MONOHA", Artforum, U.S.A., Jan. 1987, pp.129-130.
Schaarschmidt-Richter, Irmtraud,"Austellungs-Rückshau", Das Kunstwerk,
Germany, Jan.1987, pp.56-60.
Silva, Arturo, "Tokyo, Lee Ufan", Artforum, U.S.A., Feb. 1987, p.132.
Roberts, James, "Tokyo Report", Art Scribe, May 1987, pp.7-10.
Gorgnati, Martina, "Lee Ufan", Flash Art, Italy, Dec. 1988, pp.101.
Dalesio, Gabriella, "MONOHA-", NIKE, Germany, Sept. 1988, pp.37-38.
"Lee Ufan", Hara Museum Review, N°7, Summer, Japan, 1988
Siegmann, Markus, "Lee Ufan", Das Kunstwerk, Germany, Sep. 1989, pp.90-91.
Schneider, Katharina, "Biennale in Middelheim", Das Kunstwerk, Germany, Dec. 1989,
pp.66-67.
Francblin, Catherina, "Lee Ufan", Art Press, France, Jan. 1990, pp.97.
Kim Yongik and Moon Bum, "Dialogue with Lee Ufan", Space, Korea, Sep.1990,
pp.60-97.
Tsuyuhiko Hinatsu, "Fighting Sprit", Asahi Daily News, Japan, June, 1991.
"Lee Ufan", Hara Museum Review, N°16, May, Japan, 1991.
Julia Cassim : "Encountering Passive Abstraction", The Japan Times, Japan, June,
1991.
Koplos, Janet, "Contemporary Art in Japan", Art in America, U.S.A., Apr. 1990,
pp.201-210.
Koplos, Janet, "Contemporary Japanese Sculpture", Abbeville Press. U.S.A., 1991.
Lee Kun Yong , "Lee Ufan", ART NOW, Korea, Spring 1992, pp.9-15.
Arturo Silva, "Lee Ufan in confrontation with himself, The Japan Times, Tokyo,
November, Japan, 1995.
Michel Nurisdany, "Lee Ufan", Le Figaro, 19 Septembre, Paris, 1995
Henri-François Debailleux, " Entretien avec Lee Ufan", Liberation, 29 Août, Paris, 1995
Barbrara Catoir, " Die Wucht de Leere", Frankfurter Allgemeine Zeitung, April 12,
Germany, 1995.
Joel Perron, "Mono-ha takes matter into account", The Daily Yomiuri, November,
Tokyo, Japan, 1995
Werner Sstretelz, "Spannung in der Stille", Waz, N°222 September, Germany, 1995
Lee Ufan, Inkong Gallery, Korea, Text by You Young-Me, 1995
Dok Ja, "Positionß of Lee Ufan", Cine World, Seoul, Korea, 1994
Lee Ufan, "Les aquarelles de Cézanne", Libération, N°4469, 30 Septembre, Paris, 1995
Pierre Restany, "Lee Ufan and the Mono-ha revolution", Domus, N° 779, February,
Italy, 1996
Lee Ufan, "On Infinity", Domus, N°779, February, Italy, 1996
Lee Ufan, Lisson Gallery, London, Text by Jean Fisher, 1996
Richard Cork, "Lee Ufan", Time, 5 November, London, 1996
Lan Hant "Lee Ufan-Lisson Gallery", Art Monthly, March, London, 1997
Michel Nuridsany, "Le vide et le plein", Le Figaro, 25 novembre, Paris, 1997
Philippe Dagen,"Concentrés de monde", Le Monde, 5 Décembre, Paris, 1997
Henri G., "La toile, nœud culturel", Libération, 7 Décembre, Paris, 1997
Stéphanie Dulout, "Entretien avec Maître LEE", CRÉATIONS, Décembre, Paris, 1997
Sandra Kwock-silve,"Minimal art to the max", The Paris Free Voice, Décembre, Paris,
1997
"Entre le lisse et le rugueur", L’ŒIL, Décembre, Paris, 1997
Irmtraud Schaarschmidt-Richter, "Lee Ufan", Weltkunst, Jun, Frankfurt, 1998
Christian Huther, "Lee Ufan", KunstForum, 14 Oct-Dez, Frankfurt, 1998
Christian Huther, "Dialog von Stein und Eisen", Moin Echo, 13 Jun, Frankfurt, 1998
Christian Huther, " Rost im Resen", Allgemeine Zeitung Mainz, 11 Jun, Frankfurt, 1998
Von Benjamin Gries, " Natur Stein und Eisenplatte im Dialog", Rhein Zeitung, 9 Jun, Frankfurt, 1998
Von Thomas Wolff, "Aus dem Nichts heraus", Frankfurter Rundschau 10 oug, Frankfurt, 1998
Konstanze Crüwell, "Passage zum Unendlichen", Frankfurter Allemeine Zeitung, 20 Jul. Frankfurt, 1998
Roselyne Marsaud Perrodin, "Lee Ufan, l’affirmation d’un faire poétique",PRATIQUES, Réflexions sur l’art, Presses Universitaires de Rennes, France, Automne, 1999, pp. 24-38
Monty Dipietro, "Lee Ufan : New paintings", Asahi evening News, 18 feb. 1999, Tokyo
Michel Nuridsany, "Lee Ufan résonances", Le Figaro, 23 Nov. 1999, Paris
H.F. Debailleux, " Trois faces de Lee Ufan", Libération, 9 Nov. 1999, Paris
Olivier Cena, "Les radoteurs", Télérama, N°2600-10 Nov. 1999, Paris
Claudia Posca, "Lee Ufan : Interconnection", KunstFORM, 153, Januar-März, 2000, Frankfurt
Von Sophia Willems, "Lee Ufan", West Deutsche Zeitung, 18 Nov. 2001
Barbara Catoir, "Es atmet die Spur der Frabe", Frankfurter Allgemeine Zeitung, 16 Aug, 2001
Von Thomas Kliemann, "Wie ein Gong-schlag in der Leere des Raumes", General- Anzeiger, 16/17, Jun. 2001, Bonn, Germany
Kai Weller, "Unverde Ckt Entborgen", SCHNÜSS, Aug, 2001
Christiane Fricke, "Linien fallen und Steigen", Handelsblatt, 17/18 Aug, 2001
Von Heidrum Wirth, "Wie ein tiefer Gong-klang", Bonner Rundschau, 10 Aug, 2001
Michel Nuridsany, "Prix Praemium Imperiale Lee Ufan, Le Figaro, 5 Oct. 2001, Paris
Philippe Dagen, "Lee Ufan, la peinture en mouvement", Le Monde, 25 février, 2003, Paris
Christian Klemm, "Lee Ufan, With winds", Kunsthaus Zürich, Jahresbericht, 2004, Zurich, Switzerland
Okyang Chae-Duporge, "L’espace non-agi en dialogue avec l’extérieur", PRATIQUES
Réflexions sur l’art, n°16, Presses Universitaires de Rennes, France, Printemps 2005,pp. 82-109.
Henri-François Debailleux, "Lee Ufan entrepeinture et sculpture", Libération, 10, février, 2006, Paris
•Ronny v. Wangenheim, "Die Stille des Lee Ufan", Galerie m, Ruhr-Nachrichten, 31, marz, 2006, Germany
Janet Koplos, "Clamor and Quiet", Art in America, U.S.A., March, 2006
Von Werner Streletz, "Zwischen Steinen Herrscht Stille", Galerie m, Westallemeine zeitung, 7 april, 2006, Germany
R.C., "Kosmische Stille, Lee Ufans Verschmelzung westlicher und asiatischer Spiritualwelten", Kunst 21, May, 2006, p.36-39.
Okyang Chae-Duporge, "L’espace non-agi dans l’œuvre de Lee Ufan", Thèse du doctorat, sous la direction de Serge Lemoine, Université Paris IV-Sorbonne, June, 2006, Paris
Silke von Berswordt-Wallrabe aus Essen, "Erfahrung von Konfrontation und Koexistenz im werk von Lee Ufan", Erlangung der Doktorwürde der philosophischen Fakultär der Albert-Ludwigs-universität Freiburg i.Dr, 2006, Germany
Carol Vogel, "Art in the Present Tense: Politics, Loss and Beauty", The New York Times, 11 June, 2007, New York
Philippe Dagan, "Lee Ufan, in ascete de l’extreme", Le Monde, 14 June, 2007, Paris
Silke von Berswordt-Wallrabe, "Lee Ufan, Begegnung mit dem Anderen", Steidl, 2007, Germany
Silke von Berswordt-Wallrabe, "Lee Ufan, Encounters with the Other", Steidl, 2007, Germany
Stephen Westfall, Opposites and Essences; Lee Ufan, Art of America, U.S.A., Dec. 2008, pp.114-119
Renaud Siegmann, Visite d’Atelier Lee Ufan, la Gazette de l’Hotel Drouot, France, Dec. 2008, pp.362-363


CATALOGUES OF EXHIBITIONS
São Paulo Biennale, Brazil,1969, 1973.
Paris Biennale, France, 1971.
Solo Exhibition, Tokyo Gallery, Text by Nakahara Yusuke, Tokyo, 1973
Solo Exhibition, Galerie Spectrum, Antwerp, Belgium, 1976. Joseph Love.
Documenta 6. Kassel, Germany, 1977.
Z. B. Sculpture, Städtisches Museum Frankfurt des Städel, Germany, 1978.
Solo Exhibition, Düsseldorf Kunsthalle, Germany,1978. "The World of Lee Ufan",Joseph Love and Lee Ufan.
6th Brussels International Art Fair, Brussels, Belgium, 1978.
Solo Exhibition, Gallery Hyundai, Seoul, Korea, 1978. "Lee Ufan", Text by Lee Ufan.
Focus 78, Centre Culturel du Marais, Paris, France, 1978.
Skulptur im 20 Jahrhundert, Basel, Switzerland, 1980.
Japanskt Kalojdoskop, Sweden, 1980. "Lee Ufan", Joseph Love.
Meister der Zeichnung, Kunsthalle Nürnberg, Germany, 1982. "Lee Ufan", Toshiaki Minemura.
Japanese Contemporary Art Exhibition, Camden Art Center, London, England, 1982.
Material Gets Art. Berlin National Galerie, Germany, 1982.
Three-men Exhibition, Juda Rowan Gallery, London, England, 1983.
Wiesbadener Skulpturentage, Germany, 1984.
Solo Exhibition, Gallery hyundai, Seoul, Korea, 1984, Text by Lee Ufan (Lee III).
Artist’s Books : Japan. Franklin Furnace Gallery, New York. U.S.A.and Fuji Television Gallery, Tokyo, Japan, 1985, Yoshiaki Tõno.
Seoul-Paris, Centre National des Arts Plastiques, Paris, France,1986.
Contemporary Japanese Calligraphy and painting, Galerie Nationale de Prague, Czechoslovakia, 1986.
Japon des Avant-Gardes 1910-1970, Musée National d’Art Moderne, Centre Georges Pompidou, Paris, France, 1986.
Solo Exhibition, Hyondae Gallery, Seoul, Korea, 1987, 1990.
LEE UFAN : ex oriente, Ex Solo Exhibition, Padiglione d’Arte Contemporanea, Milano,
1987, Pierre Restany," La Scuola delle Cose (l’École Des Choses)" : Pontiggia Elena,
"Le Parole delle Cose" in Exhibition Catalogue, Monoha, Padiglione d’Art Contemporanea, Milano, Italy, 1988.
Symposium of Olympic Sculpture, Seoul, Korea, 1988.
Lee Ufan, Traces of Sensibility and Logic, The Museum of Fine Arts, Gifu, Japan, 1988.
Text by Toshiaki Minemura, Masahiro Aoki, Kiyoshi Okada.
Pierre Restany, "Peindre sur l’aile du vent", Croisement des Signes, Institut du Monde Arabe, Paris, 1989, p.60.
Toshiaki Minemura, "Evasion of the object / Ont snappen uither object" in Exhibition Catalogue, 20th Biennale Middelheim-Japan, Openluchtmu seum voor Beeldhouwkunst Middelheim, Antwerp, Belgium, 1989.
Effets de Mirror, Arts plastiques Ile-de-France, 1989, Michel Nuridsany.
Solo Exhibition, Galerie m Bochum, Germany, 1989. Text by Lee Ufan
With winds, Gallery Ueda, Tokyo Gallery, 1989, Arturo Silva.
Blau, Heidelberger Kunstverein, Germany, 1990.
Erlauterungen zur Modernen kunst, Kunstsammlungen der Ruhr Universität Bochum, Germany, 1990.
Lee Ufan, Kamakura Gallery, Tokyo, 1990. Text by Akira Tatehata
Solo Exhibition, Lorenzelli Arte, Milano, Italy, 1991, Flaminio Gualdoni.
Seven Artistes, Aspects of Contemporary Japanese Art, Santa Monica Museum of Art, U.S.A. 1991, Kazuo Yamawaki.
Solo Exhibition, Hara Museum of Contemporary Art, Tokyo, Japan, 1991. Text by Arata Tani
Solo Exhibition, Space Gallery Pusan, Korea, 1992.
Working with Nature, Tate Gallery, Liverpool, England, 1992, Lewis Biggs.
Ansichtssachen, Galerie m. Bochum, Germany, 1992.
Avandguardie Giapponesi Degli Anni 70, Galleria D’Arte Moderna Comune di Bologna, 1992, Barbara Bertozzi.
Solo Exhibition, The Museum of Modern Art, Kamakura, Japan, 1993. Text by Tadayasu Sakai and Tsutomu Mizusawa.
Lee Ufan, Toshi Shuppan, Tokyo, Japan, 1993. Text by Michel Nuridsany and Arata Tani.
Solo Exhibition, The Museum of Contemporary Art, Seoul, Korea, 1994. Text by Lim Young Bang and Uryung Lee.
Lee Ufan, Fondazione Mudima, Milano, 1994. Text by Gino di Maggio and Achille Bonito Oliva.
Lee Ufan, Gallery Hyundai, Seoul, Korea, 1994. Text by Toshiaki Minemura.
Lee Ufan, Städtisches Museum, Leverkusen, Germany, 1995. " Lee Ufan-Ein Künstler des anderen", by Irmtraud Schaarschmidt-Richter, " Der Stein und Die Leere" by Rolf Wedewer.
Japon 1970 Le Mono-Ha, Musée d’Art Moderne, Saint-Etienne, France. Text by Okada Kyoshi, 1996
Lee Ufan, Konggan Gallery, Pusan, Korea, Text by J-C. Poitevin, 1996
Solo Exhibition, Galerie Nationale du Jeu de Paume, Paris, 1997. "Pour Lee Ufan" by Michel Deguy, "Le territoire de l’œuvre" by Roland Rocht, "A l’intérieur du silence" by Daniel Abadie, "Relations" by Michel Nuridsany, Chronologie by Véronique Béranger, "Entretien avec Lee Ufan" by Henri-François Debailleux.
Lee Ufan, La Collection, Musée National D’Art Moderne, Centre Georges Pompidou, 1997, Paris. Text by Nathalie Filser.
Tommaso Trini, "Anche il vuoto lavora", Lorenzelli Arte, Milano, 1997
Solo Exhibition, Städtische Galerie STÄDEL, Frankfurt am main, 1998. Text "Die Beziehung Zwischen Eben und Volumen", by Ursula Grzechca-Mohr, "Konkrete Ereignisse im Unbegrenzten" by Irmtraud Schaarschmidt-Richter.
Solo Exhibition, Lee Ufan printworks 1970-1998, Mitaka City Gallery of Art, Tokyo, 1998. Text "Working and thinking of Lee Ufan" by Yusuke Nakahara, Yuichiro Asakura, Masakai Ono, Kikuo Okouchi, Kiyoshi Ejiri, Tetsuo Tani, Documentation by Toru Matsubara.
Korean Monochromism, Busan Metropolitan Art Museum, Korea, 1998. " Lee Ufan" by Lee Dong-suk.
Kunstwelten im Dialog, Museum Ludwig, Köln. 1999
SARAJEVO 2000, Museum Moderner Kunst Stiftung Ludwig Wien, 2000. "Lee Ufan" by Sung-dug Kim.
Solo Exhibition, Kunstmuseum Bonn, Bonn, 2001. "Lee Ufan vorwort" by Dieter Ronte.
"Spur in der Unendlichkeit-Zu Lee Ufans Künstlerischem Konzept" by Christoph Schreier, " Das Verhältinis von U und MU Die Bildwelt von Lee Ufan" by Tsutomu Mizusawa, "Auf dem Weg zu einer unsichtbaren Welt – Die zweidimensionale Welt des Lee Ufan by Yusuke Nakahara, " Lee Ufan- Einige Überlegungen zu seinen Bildern" by Irmtraud Schaarschmidt-Richter.
Hedendaagse kunst uit Japan Kröller-Müller Museum Otterlo, 2001. "Lee Ufan", by Jaap Bremer.
Le Tribú dell’Arte, Galleria Comunale d’art Moderne, Roma, 2001. "Mono-ha" by Yasuyuki Nakai.
Century City, Tate Modern London, 2001. "Tokyo 1967-1973" by Reiko Tomii.
Mono-ha – school of things, Museum of Kettle’s Yard, Cambridge, 2001.
"Encountering Mono-ha" by Simon Groom, " Foreshadowings and Premonitions : Mono-ha" by Lee Ufan, " Mono-ha and Japan’s Crisis of the Modern" by Tatehata Akira.
Les Années 70 : l’art en cause, CAPA Musée d’art Contemporain de Bordeaux, 2002."Mono-ha" by Maurice Fréchuret.
The Pacific Triennale Queensland Art Gallery, Brisbane, Australia, 2002. "Lee Ufan"
Samsung Museum of Contemporary Art, Seoul, Korea 2003
Happiness, Mori Art Museum, Tokyo, 2003.
Musée St.Louis Fernet Branca, Alsace, 2004
Limpa – Ecole de Limpa, The National Museum of Modern Art, Tokyo, 2004.
L’art au futur antérieur 1975-2004, Musée du Grenoble, 2004.
Solo Exhibition, Lee Ufan, The Art of Margins, Yokohama Museum of Art, 2005, "Interconnection", "Yohaku-The Art of Margins" by Lee Ufan, "Painting Beginnings:
The paintings of Lee Ufan" by Kasiwagi Tomoh, "The Expansion of Things : The Sculpture of Lee Ufan" by Kuraishi Shino, "Chronology" by Okyang Chae-Duporge.
Reconsidering Mono-ha, The National Museum of Art Osaka, 2005, "Reconsidering Mono-ha" by Nakai Yasuyuki, "The Lineage of Art That Questions Being" by Minemura Toshiaki.
Lee Ufan, Musée d’Art Moderne, Saint-Etienne, 2005, "Si près, si loin : la peinture/méditation de Lee Ufan" by Lorand Hegyi, "L’espace non-agi dans l’œuvre de Lee Ufan" by Okyang Chae-Duporge.
Kwangjoo Biennale, 2006, Korea
Elastic Taboos, Kunsthalle, 2007, Wien
Living in the Material World : 《Things》in Art of the 20th Century and Beyond, 2007, The National Art Center, Tokyo
L’art de Monet et sa Postérité, 2007, The National Art Center, Tokyo
52nd La Biennale di Venezia, 2007, Venice
Lee Ufan Resonance, 52nd La Biennale di Venezia, 2007, "One Hand Clapping" by Achille Bonito Oliva, "Comments on contextualization in the paintings of Lee Ufan" by Lorand Hegyi, "All in one point" by Gino de Maggio, publication of Fondazione Mudima,
Sensitive Systems – Lee Ufan, Roman Opalka, Giuseppe Penone, Gunther Uecker, Hakgojae Gallery, Seoul, 2008, “A Strong Sense of Life” by Lorand Hegyi
1st Poznan Biennale, text by Lorand Hegyi, Poland, 2008
Solo Exhibition, Lee Ufan, Royal Museum of Fine Arts of Belgium, Brussels, 2008, Introduction by Michel Draguet, essay by Philippe Dagan, Pierre- Yves Desaive
Lee Ufan, Roman Opalka, Gunther Uecker, Fondazione Mudima, Milano, 2008, text by Lorand Hegyi


EXHIBITIONS

Korean Abstract Art: Kim Whanki and Dansaekhwa
Nov 8, 2018 - Mar 2, 2019

When Process becomes Form: Dansaekhwa and Korean abstraction
Feb 20, 2016 - Apr 24, 2016

Dansaekhwa, Collateral Event of the 56th International Art Exhibition – la Biennale di Venezia
May 8, 2015 - Aug 15, 2015

The Art of Dansaekhwa
Aug 28, 2014 - Oct 19, 2014

Sculpture
Aug 28, 2009 - Oct 9, 2009

ARTWORKS

Lee Ufan(1936)
With Winds
1989
oil on canvas
227.3 x 181 cm

From point (No. 181)
1974
Oil on canvas
160 x 130 cm

Dialogue
2009
Oil on canvas
260 x 195 cm

Dialogue
2015
Oil on canvas
291 x 221 cm

With Winds
1987
Oil on canvas
226 x 180 cm

Correspondence
1995
Oil on canvas
195 x 260 cm


VIDEOS

Installation Video
Opening l Korean Abstract Art: Kim Whanki and Dansaekhwa, Powerlong Museum

Artist Interview
Why Dansaekhwa - Collateral Event of the 56th Venice Biennale


PUBLICATIONS

Dansaekhwa wih Lee Ufan

DANSAEKHWA

THE ART OF DANSAEKHWA

LEE UFAN Sculpture


MEDIA COVERAGE

Exhibition: When Process becomes Form: Dansaekhwa and Korean abstraction

Exhibition: Dansaekhwa, Collateral Event of the 56th International Art Exhibition – la Biennale di Venezia

Exhibition: The Art of Dansaekhwa

2014 Versailles 'Lee Ufan'

general


NEWS