CHUNG CHANG-SUP
CHUNG SANG-HWA
HA CHONG-HYUN
KIM WHANKI
KWON YOUNG-WOO
LEE UFAN
PARK SEO-BO
May 8, 2015 - Aug 15, 2015
Seoul
Palazzo Contarini-Polignac (874 Dorsoduro 30123 Venezia)


INTRODUCTION

Courtesy of Kukje Gallery and Tina Kim Gallery.

Dansaekhwa | Collateral Event of the 56th International Art Exhibition la Biennale di Venezia
May 8–August 15, 2015

Opening Hours: Tuesday - Saturday, 10AM - 6PM
Closed on Monday

Palazzo Contarini-Polignac 
874 Dorsoduro
30123 Venezia

www.venice-dansaekhwa.com

Curator: Yongwoo Lee

Artists: Chung Chang-Sup, Chung Sang-Hwa, Ha Chong-Hyun, KIM Whanki, Kwon Young-Woo, Lee Ufan and Park Seo-Bo




With a special exhibition of site-specific new work by Lee Ufan.
We are very pleased to present Dansaekhwa, an official Collateral Event in the 56th Venice Biennial. The show is curated by Yongwoo Lee and organized by the Boghossian Foundation together with Kukje Gallery, Seoul and Tina Kim Gallery, New York. A seminal art historical movement in post-war Korea, Dansaekhwa is loosely related to the Western monochrome tradition and is sometimes translated as “the school of white.” Dansaekhwa artists each have a unique philosophy but many overlapping concerns unite their work. These include a strong aesthetic ideal focused on the unity between artist and nature as well as a very refined approach to mark making. Many of these points of reference are rooted in traditional Taoist and Buddhist ideas. This emphasis on native cultural idioms was politicized during the 20th century when post-war Korean identity was in a state of radical flux. It is in these tumultuous times that Dansaekhwa evolved and helped shape modern Korean art history. While specifically rooted in a Korean context, Dansaekhwa must be seen as having important formal and conceptual links to parallel movements in Japan and the West including Gutai, Mono-ha and Abstract Expressionism.

The exhibition will showcase the works of key masters who defined Dansaekhwa’s development in the 1970s, providing an essential conceptual framework to appreciate this important movement. A subject of renewed interest in both Korea and internationally, this is a timely exhibition that explores a group of artists whose exquisitely beautiful and politically engaged work continues to have a profound influence on contemporary art. The participating artists are Chung Chang-Sup, Chung Sang-Hwa, Ha Chong-Hyun, KIM Whanki, Kwon Young-Woo, Lee Ufan, and Park Seo-Bo.

Yongwoo Lee has organized the exhibition to trace the development of Dansaekhwa. While a seminal historical movement that has had lasting influence, Dansaekhwa continues to be a vital framework with many of its founding artists continuing to make work. As such the curator has chosen to focus on its development over five decades, from the 1960s to today. By including works completed in different periods, the curator will emphasize how the social milieu within Korea had an impact on the development and public reception of Dansaekhwa.

In order to set the stage for many of the predominant themes that came to be associated with Dansaekhwa, including its emphasis on monochromatic compositions and innovative use of materials, Yongwoo Lee has included a major group of works from the 1960s by the artist KIM Whanki. Less known outside of Korea, this is an historic opportunity to see KIM’s role as a foundational member in the post-war Korean art scene whose work and ideas contributed to the advance of Dansaekhwa.

The exhibition will occupy all three floors of Palazzo Contarini-Polignac. The ground floor will be devoted to new, commissioned sculptural work by Lee Ufan. One of the founders of both the Mono-ha movement and Dansaekhwa, Lee Ufan’s intense and silent sculptural forms will frame a confrontation between two materials: steel plates and natural stones.

On the second floor, works by KIM Whanki will set the stage for Yongwoo’s curated Dansaekhwa exhibition that will occupy both the second and third floors. In addition, an important academic conference focused on Dansaekhwa and recorded in January 2015 will be shown to engage the public and give necessary historical insight into its beginnings, as well as to frame some of the ongoing debates regarding its influence. Coupled with a range of related archival materials, scholarship, and ephemera, the exhibition will be the first rigorous academic presentation of Dansaekhwa to be held outside of Korea and will be a landmark moment in its introduction to the international community.

 



WORKS

Park Seo-Bo (1931-)
Ecriture(描法)No. 89-79-82-83
1983
Pencil and Oil on Hemp cloth.
194.5 x 300cm
Courtesy of the artist and Kukje Gallery

Lee Ufan (1936-)
From Point
1977
Pigment suspended in glue, on canvas
162 × 291cm
Photography by Sang-tae Kim
Private collection

Ha Chong-Hyun (1935-)
Conjunction
1974
Oil on paper
120 x 175cm
Photography by Sang-tae Kim
Collection of Leeum, Samsung museum of Art

Chung Sang-Hwa (1932-)
Untitled 73-7
1973
Acrylic on canvas
165X115cm
Photography by Sang-tae Kim
Pending Acquisition, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

Chung Chang-Sup (1927-2011)
Wandering
1965
Oil on canvas
198x116.5cm
Photography by Sang-tae Kim
The Rachofsky Collection

Kwon Young-Woo (1926-2013)
Untitled
1984
Gouache, Chinese ink on Korean paper
224x170cm
Photography by Sang-tae Kim
Courtesy of the artist and Kukje Gallery

KIM Whanki (1913-1974)
17-IV-71 #201
1971
Oil on cotton
254x202cm
(Where, in What Form, Shall We Meet Again series)
ⓒWhanki Foundation?Whanki Museum


PUBLICATIONS

DANSAEKHWA

Dansaekhwa wih Lee Ufan

MEDIA COVERAGE

일간지

Dansaekhwa, emozioni coreane
Jun 21, 2015 il mattino di Padova
Venice features emerging Korean artists
Apr 16, 2015 The Korea Herald
Abstract paintings make splash at auctions
Apr 15, 2015 Korea Joongang Daily
Modern art to dominate Venice Biennale
Apr 11, 2015 The Korea Times
종말이 와도 예술 이어질까
Apr 10, 2015 서울경제

월간지

Venice, a Passage to the World
Aug, 2015 Art in Asia
단색화를 말한다
Aug, 2015 Noblesse
Venetian Cool
Aug, 2015 Asian Art News
Venice is the new art
Jul, 2015 Bazaar
Art in Venice
Jul, 2015 HEREN
Biennale di Venezia 2015
Jul, 2015 조선일보 Style
명상을 부르는 그림들
Jun 26, 2015 Hana Bank Membership Magazine
단색화, 세계를 누빌까?
Jun, 2015 Magazine S
이용우의 窓 
Jun, 2015 Noblesse
베니스의 단색화
Jun, 2015 the galleria
세계로의 플랫폼
Jun, 2015 아트 인 컬쳐
Minimal-poetico coreano
Jun, 2015 Arte
Biënnale 2015, een wandeling 
May 16, 2015 Artupdate
VENEZIA CONTEMPORANEA - DANSAEKHWA
May, 2015 Architectural Digest

주간지/웹

Dansaekhwa on the rise
Aug 9, 2015 Culture
Parallelli Biennale
Jun 2, 2015 Equilibriarte
DANSAEKHWA
Jun 1, 2015 GDA Press
Parallelli Biennale
Jun 1, 2015 equilibriarte
L'art della Corea sul filo della storia
May 27, 2015 La Nouva Venezia
All The World's Futures
May 23, 2015 MODERN WEEKLY IN CHINA
단색화
May 21, 2015 DODOOBA
단색화와 이우환
May 21, 2015 DODOOBA
The best of the Venice Biennale 2015
May 18, 2015 Financial Times
Photo Gallery: Dansaekhwa with Lee Ufan
May 15, 2015 The Collecter Tribune
I futuri del mondo a Venezia
May 15, 2015 iPOST
Dansaekhwa
May 13, 2015 OCULA
[Post It] 단색화
May 8, 2015 FN genii
Newsletter
May 8, 2015 My Art Guides
Venice Biennale, Asia strength
May 8, 2015 LE FIGARO
Ed è già Biennale
May 7, 2015 INSIDEART
Venezia capitale dell'arte contemporanea
May 4, 2015 la tribuna di treviso
Venezia capitale dell'arte contemporanea
May 4, 2015 la Nuova di Venezia e mestre
Venezia capitale dell'arte contemporanea
May 4, 2015 il mattino di Padova
Venezia capitale dell'arte contemporanea
May 4, 2015 Corriere delle Alpi
DANSAEKHWA
May 4, 2015 ART NOISE
Dansaekhwa
May 1, 2015 Il Pensiero Artistico
Dansaekhwa
May, 2015 OK ARTE
Dansaekhwa
May, 2015 Agenda Venezia
DANSAEKHWA
May, 2015 Artribune
Dansaekhwa
May, 2015 My Art Guide
opening
May, 2015 ARTFORUM
DANSAEKHWA
May, 2015 Champ Magazine
Best of Venice Biennale
May, 2015 Architectural Digest
Dansaekhwa
Apr, 2015 Art Agenda
단색화
Feb 26, 2015 DODOOBA
Skin & Surface
Feb 25, 2015 frieze

방송

Lee Ufan’s interview
Jun 9, 2015 Class LIFE TV
베니스 비엔날레
May 9, 2015 SBS뉴스

NEWS